Gallery FIFTY ONE TOO
Opening: Saturday, February 12th 2022 from 2 – 6 pm
FIFTY ONE TOO is proud to present ‘Portraits’ by Belgian photographer Jacques Sonck (°1949), an exhibition filled with unique individuals and accidental encounters. Sonck’s first solo show at the gallery, will focus on his purified black-and-white street portraits and will bring together both old and new work.
Jacques Sonck shoots classical analogue black-and-white portraits with an eye for the extraordinary. Across all ages, genders and races, Sonck is attracted by people who stand out from the crowd and walk on the border of ‘normality’, either by an anomaly in their appearance or by their extravert attitude or clothing-style. He comes across these exceptional models on the streets of Belgian cities like Antwerp, Ghent and Brussels and photographs them on the spot, often in front of a neutral background.
Read the full press release here.
Jacques Sonck shoots classical analogue black-and-white portraits with an eye for the extraordinary. His oeuvre is a celebration of the diversity of humankind. Sonck is attracted by people who stand out from the crowd, either by an anomaly in their appearance or by their extravert attitude. His eccentric models are unique individuals who walk the border of ‘normality’. Although his work is often compared with that of Diane Arbus, who photographed humans on the margins of society, Sonck is more interested in the physical appearance than in the social position of his subjects.
Sonck studied photography at Narafi in Brussels. He worked as the photographer of the cultural department of the Province of Antwerp until 2009.
Born in Belgium in 1949
Lives and works in Ghent, Belgium
Sonck finds his exceptional models on the streets of Belgian cities like Antwerp, Ghent and Brussels, and photographs them on the spot, often in front of a neutral background. Regardless the volatile and anonymous nature of these encounters, Sonck’s subjects pose with full surrender, pride and self-confidence. Often these portraits have a humorous undertone, stealing a grin from the viewer. In other cases Sonck confronts his audience with deformed individuals, evoking feelings of shame and discomfort. Notwithstanding the confrontational nature of these portraits, Sonck is never guilty of voyeurism or ridicule as he approaches his subjects with distance, without judgment but with a certain softness and respect.
From the 1990s onward Sonck started inviting his models into his studio, where he photographs them in front of a simple dark background with artificial light. In these purified photographs he focuses more on faces and or even body parts. These are more classical, timeless images, in comparison with his street photographs in which clothing and background often give away the timing.